![]() Once we surpass that awkwardness we can begin a genuine dialogue with the plot and, hopefully, understand what drives the driver to do what he does. The challenge for spectators is to surpass that awkwardness similar to just staring into someone else’s eyes in silence because this movie asks us to look directly into the eyes of a strange driver ( Ryan Gosling) who will barely say a word to us. ![]() On the contrary, the director magnifies all the non-verbal elements as a form of building a bridge to connect the spectator with the plot in a more intimate way. ![]() ![]() This is by no means a mere whim from the director. Throughout the movie, we can find many scenes of non-verbal communication, in a sense that communication takes place not so much in words but in images, sounds, and songs as expressions that its director Nicholas Winding Refn splendidly presents to portray a certain mood or the feelings the main character transmits even when he’s barely talking. Unlike most movies out there, Drive movie 2011 is a narrative based more on sensorial experiences than dialogues from the characters.
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